Creme Celeste c1894

National Drug the following formula in a foreign journal:

• 80 Parts White cerate 
• 80 Parts Spermaceti 
• 600 Parts Oil of sweet almond 
• 120 Parts Glycerin 
• 120 Parts Distilled water 
• 5 Parts Borax 
• 0.03 Parts Coumarin
• 1 Part Attar of rose 
• 0.50 Parts Oil of bergamot 
• 0.50 Parts Essence of orange flower 
• 0.30 Parts Attar of ylang ylang 
• 0.10 Parts Attar of iris
• 0.30 Parts Tincture of amber 

Mix. If desired, color with alkaline dissolved in a part of the oil of almonds. 

Skin Bleaches or Whiteners c1902

• Lanolin 30 parts 
• Bitter almond oil 10 parts 
• Borax 1 part 
• Glycerine 15 parts 
• Hydrogen peroxide 15 parts 

Mix the lanolin and oil of almond, dissolve the borax in the glycerine and peroxide of hydrogen, and mix with the agitation. This preparation does by aid of the bleaching property peroxide.

For a muddy complexion, or a skin with blotched or dirty appearance, the following is commende:

• White mercurial oint 5 parts 
• White zinc ointment 5 parts 
• Lanolin 30 parts 
• Bitter almond oil 10 parts. 

Mix thoroughly then make the following solution

• Borax 2 parts 
• Glycerine 30 parts 

add ten parts of rose water and for 3 ounces of the preparation 5 drops concentrated nitric acid, and quickly it into first mixture. Any perfume be used with the preparation. Stir essential oils in the lanolin mixture.  

Petrolatum Cold Cream c1902

• Petrolatum white 7 ozs 
• Paraffin oz Lanolin 2 ozs 
• Water 3 ozs 
• Rose oil 3 drops 
• Alcohol 1 dram 

A small quantity of borax may be if desirable and the perfume may varied to suit the taste of the and his customers. 

Paints or Rouges for the Skin

Paints or rouges are the means by which the natural color of the skin may be heightened or changed. They are, however, objectionable preparations, and the use of them extends very little beyond the theatres, where they are employed to produce stage effect.

Caution against Bismuth as a Cosmetic. The continued use of bismuth-white injures the skin, and ultimately produces paralysis of its minute vessels, rendering it yellow and leather- like - an effect which, unfortunately, those who employ it generally attempt to conceal by its freer and more frequent application.

French White. This is the mineral talc, or French chalk, finely powdered and bolted. It forms the basis of the most harmless rouges. Perfume is added as may be desired.

Pearl White. Pure oxide or subnitrate of bismuth in powder. This pigment darkens in atmospheres containing sulphide of hydrogen. 1 ounce triturated with 4 ounces of orange-flower water makes liquid white for theatrical use.

Pearl Powder. Precipitated chalk finely bolted and perfumed. The French add oxides of zinc and bismuth, each 1 ounce to the pound of chalk.

Liquid Blanc for Theatrical Use:

The use of a white paint by actresses and dancers, is absolutely necessary; great exertion produces a florid complexion, which is incompatible with certain scenic effects, and requires a cosmetic to
subdue it.

Madame V----, during her stage career, has probably consumed more than
half a hundredweight of oxide of bismuth, prepared thus:--

• Rose or orange-flower water, 1 pint.
• Oxide of bismuth, 4 oz.

Mixed by long trituration.

Perle Face Powder:

• French chalk, 1 lb.
• Oxide of bismuth, 1 oz.
• Oxide of zinc, 1 oz.

Rose Face Powder:

• Wheat starch, 7 lbs.
• Rose Pink, 1/2 drachm.
• Otto of rose, 2 drachms.
• Otto of santal, 2 drachms

Bloom Rose:

This is a preparation of carmine for the face and lips. Take a quarter of a dram of carmine and place it in a phial with half a dram of liquid ammonia; keep for a few days, occasionally shaking the mixture; then dilute with two ounces of rose-water, to which half a dram of essence of roses has been added. Draw off and keep a week or ten days, then apply with the corner of a soft handkerchief, taking care that if the color is too bright it is reduced by means of pure water.

Liquid Rouge:

Harmless—a perfect imitation of nature. For ladies who wish to use a little artificial bloom the following is recommended. A liquid rouge to produce a perfect imitation of the colors of nature is prepared as follows: Add to a pint of French brandy, half an ounce of benzoin, an ounce of red sandalwood, half an ounce of Brazil wood and the same quantity of rock alum. Cork the bottle carefully, shake it well once a day, and at the end of twelve days it will be fit for use. The cheeks are to be lightly touched with it.

Colored Collodion for the Skin:

Take:

• 1 ounce collodion
• 3 grains each pure annotto 
• 3 grains dragon's blood

Digest, with agitation, in a stoppered phial, for 24 hours; and, if necessary, decant the clear portion.

Enamel Powder, to make the skin look like Porcelain:

Take equal parts finely scraped talc or French chalk, and pearl-white; sufficient rouge or carmine to slightly tinge it; mix. Used to conceal discolorations; and, without the coloring, to whiten the skin.

Azure Paste:

Talc and ultramarine, finely bolted, equal parts, triturated with a solution of gum tragacanth into a stiff paste

Carmine Rouge:

• 4 ounces finely bolted talc
•  2 drachms carmine

Mix together with a little warm and dilute solution of gum tragacanth. For lighter shades, the proportion of carmine must be diminished. For commoner pastes, rose-pink replaces the carmine as coloring matter. It may be made into a pomade.

Celestial Water

Take:

• 1 ounce Cinnamon
• 1 ounce Nutmegs
• 1 ounce Ginger 
• 1 ounce Zedoary
• 1 ounce Galangals 
• 1 ounce White Pepper
• 6 Lemon peels, pared thin 
• 2 handfuls Damascene Grapes 
• 2 handfuls Jujubes 
• 1 handful Pith of Dwarf-Elder 
• 4 handfuls Juniper-berries perfectly ripe 
• 1 handful Fennel-Seeds 
• 1 handful Flowers of Sweet Basil 
• 1 handful St. John's-wort
• 1 handful Rosemary
• 1 handful Marjoram 
• 1 handful Pennyroyal
• 1 handful Stechas
• 1 handful Musk Roses
• 1 handful Rue 
• 1 handful Scabious
• 1 handful Centaury
• 1 handful Fumitory 
• 1 handful Agrimony
• 2 ounces Spikenard, 
• 2 ounces Aloes-Wood
• 2 ounces Grains of Paradise
• 2 ounces Calamus Aromaticus
• 2 ounces Mace
• 2 ounces Gum Olibanum 
• 2 ounces Yellow Sanders
• 2 drachms Hepatic Aloes
• 2 drachms fine Amber 
• 2 drachms Rhubarb

All these drugs being procured good in their kind, beat in a mortar those that ought to be pulverized, and put the whole, thoroughly mixed together, into a large strong glass alembic; pouring as much genuine brandy upon them as will rife at lead: three nnsers breadth above the ingredients. Then having well closed the mouth of the alembic, bury the vessel fifteen days in warm horsedung, and afterwards distill the Tincture in balneo Marise (Balneo Maraie), the water almost boiling hot. When you perceive the water in the receiver change its colour, instantly stop the process, and separate the phlegm from the spirit, by another di foliation conducted in the fame manner. The liquor thus obtained is the genuine Celestial Water.

Note, when you perceive this second water begin to lose its transparency,. and incline to a reddish colour, put it by in a strong glass bottle closely stopped, and dissolve in the residue half a pound of the best Treacle, with as much Venice Turpentine and fresh Oil of Almonds,. Place the alembic in a land heat, and urge the fire to the first degree, to have the genuine Balsamic Oil, which ought to be of the consistence of clarified Honey.

Lotion de Gowland (Do not attempt)

Take:

• 1 grains of bichloride of mercury (poison)
• 1 ounce of emulsion of bitter almonds

Mix well.

Be careful of the bichloride of mercury, because it is a poison. This is one of the best cosmetics for imparting a delicate appearance and softness to the skin, and is a useful lotion in acne, ringworm, hard and dry skin, and sun-blisterings.